![]() You can customize this by overwriting the predefinedĭefault section preset using the Save As Default command from the preset menu. Starts with two steps that make a sine wave. Below the source, next to the source name, the Presets button provides access to the XLFO section presets. To delete an XLFO, move the mouse over it and click the remove button in the top right corner. This phase offset is a modulation target, so when the XLFOįrequency is set to 0, you can use another modulator to cycle through the differentĬtrl/ Command-click on the phase offset slider to reset it. You can move this triangular shape, and thus change theīeginning of a XLFO cycle. In the step editor you can see a triangular shape. Is also a modulation target which allows for very cool effects. To 1 it can completely overrule the individual step glide values at the extreme settings. Because the global Glide value can range from -1 Interpolation) and 1 (full interpolation). The final glide value is limited between 0 (no The global Glide value is added to the glide value for individual steps to arrive at theįinal glide value for each step. Point within a step at which the XLFO starts to interpolate to the value of the next step. The global Glide knob acts like an overall glide offset. To maximum, and the total amount of modulation will exactly correspond to 2 octaves. Now when you modulate a frequency parameter, turn the slot level Small piano keyboard appears, the range of the XLFO turns into 2 octaves, and steps "snap" to This function makes it possible to use the XLFO as an arpeggiator. Triggered by the first note-on MIDI message, and won't retrigger on successive notes If set to Legato mode, the XLFO will only be pressing a key) will restart the cycle of the waveform (to the The XLFO can be restarted at any point using MIDI if one of the MIDI sync options is enabledĪt the top-right corner of the frequency knob. ![]() The balance ring is also a modulation target so you can modulate the balance for creative effects. Generated more quickly than the last half. For example, when turned to the left, the first half of the wave form is The outer ring of the frequency knob adjusts the time balance of the first and last halves of Note that the Offset knob is also a modulation target. To certain predefined offsets for dotted and triplet synchronization. Host tempo, from half to two times the host tempo. Length multiplier and therefore is capable of changing the cycle length relative to the When using any of the synchronized cycle lengths (16 to 1/64, measured in bars) theįrequency knob changes into the Offset knob. Free running mode will allow values from 0.02 to 500 Hz, so the minimum cycle length is.The options at the top-right corner of the frequency button you can choose the different The XLFO can be synchronized to the tempo of the plug-in host or set to run free. Knob is a modulation target, so you could let one XLFO modulate the frequency of another The frequency knob sets the time it takes for one cycle of the waveform to complete. With source component buttons, see Modulation.Ĭlick the source component button once to expand the full XLFO interface:Īt the left, you will find the global parameters that affect the entire Showing a graphical representation of the current settings. Initially the XLFO is shown as a source component button in the interface, To add an XLFO as a modulation source, click the + button in the Steps can be freely added or deleted to shape Theĭisplay shows the waveform that is used by the XLFO. It can be a regular LFO, but it can also turn into a 16-step sequencer with an individual glide setting for every step. ![]() The XLFO is like a classic LFO (Low Frequency Oscillator) on steroids: it can do so much more! ![]()
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